Senza la minima concessione commerciale, gli Electric Wizard sono ritornati immediatamente e con unДisco ancor piu' pesante e spaziale. Solarian 13 e soprattutto Ivixor B, ci si sente come esser stati all'inferno. Mezz'ora di doom-metal psichedelico (questa volta un lavoro davvero originale).Д¬ome my fanatics (Rise Above 1999) contiene sei lunghi pezzi. Supercoven/Burnout (Bad Acid 1998) offre un'altra Il singolo Chrono-naut (Man's Ruin 1997) e' una lunga suite che rimaneggia tutti i possibili stereotipiДello space-rock, dello stoner-rock e del doom-metal. Risultato finale suona pi- vicino ai primi Swans che all'heavy metal. La sacra triade dello stoner-rock (Black Sabbath, BlueД¬heer e Hawkwind) viene messa al servizio di queste blasfeme cerimonie di solenne nichilismo. Electric Wizard (Rise Above 1995) fu una rivelazione: incubi pesantissimi come Stoner magnet eД«ehemoth, cavalcate space-rock come Mountains of Mars, monoliti lunghissimi di meditazioneДepressiva come Electric Wizard e Wooden pipe. (Translation by/ Tradotto da Claudio VEspignani)Д®lectric Wizard e' un complesso heavy metal formato in Inghilterra dal cantante/chitarrista Justin Oborn nelДЎ993. To Barbarian, an agonizing, moribund chant over massive, dense sludge. Vinum Sabbathi (a miniscule track by their standards, at just three minutes), The stylistic spectrum is broader than usual, ranging from the 'lively' The sixteen-minute Weird Tales consistes of six minutes of insistent riffing followed by ten minutes of spaced-out drones. The eleven-minute Dopethrone erets the most intimidating wall of riffs, The eleven-minute I The Witchfinder is even more funereal, a protracted The eight-minute Funeralopolis is basically a blues in the vein of Led Zeppelin's first album, a lot more dynamic than their previous work. The erupts evil nebulae of incandescent magma. Without the slightest concession to the mainstream, Electric Wizard returnedДopethrone (MUsic Cartel, 2000 - Rise Above, 2005), Psychedelic doom-metal (this time a truly original work of art). Supercoven/ Burnout (Bad Acid, 1998) offers another half an hour of Possible stereotypes of space-rock, stoner-rock and doom-metal and Intricate guitar patterns over a steady beat that is visited byД¬hrono-Naut (Man's Ruin, 1997) is a lengthy suite that rehashes all The instrumental Solarian 13 (8:00) sounds like a loop of Gothic-psychedelic atmosphere of sparse noises. Ivixor B/Phase Inducer (8:48) borrows an idea from the The band's sound spills over into electronic and abstract Heavy metal had wed Steve Reich's minimalism.ДЄn elegant balance of droning and riffing (and chanting) is achieved in Doom-Mantia (8:49). Out of sheer repetition with increasingly claustrophobic variations, as if

Whereas the songs of the first album contented themselves with mimicking theД¬lassics, Return Trip (10:03) managed to build an apocalyptic atmosphere The result sounded closer to early Swans thanД¬ome My Fanatics (Rise Above, january 1997), containing six lengthy pieces, was even more powerful (even heavier, duller, darker and more sluggish), a tidal wave of gloomy sounds. Was bent to blaspheme cerimonies of utter nihilism. The holy triad of stoner-rock (Black Sabbath, Blue Cheer and Hawkwind)

Lengthy monoliths of depressed brooding like the ten-minute Electric Wizards and the slow-grinding nine-minute Behemoth, Stoner versions of melodic Cream-ian jams such as Devil's Bride and the eight-minute Black Butterfly. Instrumental acid-rock jams such as Mountains Of Mars, Nightmares such as Stone Magnet and Mourning Prayer (a bit too derivative of Black Sabbath), Of the most versatile and eclectic stoner acts of the decade.Д®lectric Wizard (Rise Above, 1995) was a revelation: super-heavy Guitarist Justin Oborn (ex-Eternal) in 1993, quickly established itself as one ( Copyright В© 1999-2017 Piero Scaruffi | Terms of use)Д®lectric Wizard, a heavy-metal band formed in Britain by singer and Electric Wizard: biography, discography, reviews, links

Electric wizard